The lyrics took a bit of a backseat, serving the song in the way the best pop songs lyrics often do, with more emphasis on melody, on the right amount of syllables to fill the line, than on what’s actually being said - just listen to the chorus of “Forever” for a masterful example of this. The melodies were just too strong, rigorously adhering to pop structures but bursting with personality in a way that cookie-cutter radio hits just aren’t.
Haim days are gone deluxe mac#
Being a huge Mac fan, this was all I needed to hear.īut that description wasn’t quite right. It was billed by much of the music press as being similar to Fleetwood Mac and other classic, ‘70s California bands. Maybe there was, in fact, one good pop song.ĭays Are Gone was something different. But in the days following that first listen, it stuck in my head, and I eventually succumbed. I still remember hearing “The Mother We Share,” which would become Chvrches’ biggest hit, and thinking it was “too pop,” suppressing the instinct telling me that it was really good in favor of maintaining those genre borders. Vincent have been praised in recent years. But this was a time when it was news that indie darling Grimes was a Mariah Carey fan, and not far off from the time when underground hero Liz Phair was absolutely pilloried for “going pop,” a move for which the likes of St. But a couple of albums released in the fall of 2013 changed that - one was Chvrches’ The Bones of What You Believe (which already has an excellent writeup from u/BornAgainZombie), and the other was Days Are Gone.įor those who weren’t tuned in to the indie scene of the 2000s and early ‘10s, it’s hard to remember how different it was, how clearly those genre boundaries were drawn. I was not in a place to be accepting of pop music, no matter how critically acclaimed I had written off the love that the likes of Pitchfork showered on Robyn, Grimes, Beyonce and “Call Me Maybe” in years past as nonsense. Let’s flash back to the fall of 2013, and I can take you through my own personal feelings on genre, because I think they mirror a lot of how the broader conversation has shifted over the years.Īs 2013 dawned I was firmly what might uncharitably be called a “rockist.” I was interested in rock music and that was it and I still had a particular antipathy against pop and my attitude was not improved by the fact that I had spent the past two summers working in a retail store that played Top 40 radio incessantly, to the point where hearing “Blurred Lines” or Maroon 5’s “Payphone” remains a source of mild PTSD. But I’d argue that the year 2013 was an inflection point, and specifically, the most useful example that came out that year was the release of Haim’s Days Are Gone. It’s hard to say exactly when things changed certainly, it happened over time and not overnight. The literal definition remains unchanged but there’s a difference between what a term literally means and what it signifies to the people who hear it. It’s hard to say what it means to be a fan of indie music anymore.
There are pop stars on indie labels there are indie sensations who have signed to majors but left their sound unchanged.
There was a time when the lines were clearly drawn: indie meant music that was released on an independent label, nothing more or less. What is, or is not, “indie” is always a reliable source of debate here on this forum.
Haim days are gone deluxe free#
After years of playing music together as kids, including an appearance at the 2005 Nickelodeon Kids' Choice Awards, they first came to prominence in 2012 with the free EP “Forever,” which earned them lavish praise from critics and built up quite a bit of buzz for their debut album, Days Are Gone, which came out in September of 2013 and was itself a critical success, earning a wide variety of high placements on end-of-the-year lists and leading to a touring slot with big acts like The Killers, Vampire Weekend and none other than Taylor Swift in 2015, right when the latter’s popularity was really exploding. Haim is a Los Angeles-based trio of sisters: Danielle, Este and Alana Haim.
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